Archive for June, 2008

Moog makes a guitar that goes “eeeeeeeee” forever!

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This is showing up on all my regular reads lately, both guitar and tech/gizmo sites. This is the new Moog guitar. It feature some amazing technology that gives you the ability to either have unlimited sustain, or to mute the strings automatically, or a blend of the two. Thinking about the science of it, it's a guitar that has some very power pickups that I assume alter the magnetic field around the stings. So in essence you have an EBow built into your guitar, or the magnetic field is strong enough to stop the string from vibrating out (same as if you have your strings too close to the pick ups).

It's a brilliant piece of kit and you should check out the video above. Just a shame on the two drawbacks:

1. The price
2. the fact that to work properly it needs some special strings that are more easily manipulated by the pickups.

I'd love one though.

Do you know what you want?

Please tell me you are a fan of Slash? He has got to be my favourite guitarist of all time. So I'm going to go on a rant here about Slash, but stay with me, there is a point to all
this.

When we think of innovation and talent in the guitar world, Slash is usually at the top of the list. With many years in the spotlight as the lead guitarist for Guns N' Roses, Slash left the band in
1996 to pursue a solo career after the band had musical disagreements.

Since then, Slash and two other members that left Guns N' Roses with him (Duff McKagan and Matt Sorum) have formed the very successful band, Velvet Revolver. If you want to know the whole story from the man himself than you should grab his biography from here.

Slash hated to replicate any guitarist, rather, he let their style influence his. That's why he wrote so many fresh licks, because he wasn't trying to be anybody but himself.

As far as scales are concerned, he relied many on the minor/major pentatonic scales in addition to some mixolydian and Dorian scales for his solos. This may come as a surprise to some, considering how
overused these scales have become. The trick to keeping your sound and solos original is to use a variety of techniques coupled with your own ideas.

Slash favoured vibrato and using hammer on/ pull off's to create speed. His right picking hand isn't used for speed. Instead, he uses his picking hand to add a percussive feel to his solos.

The more you change the rhythms in your solo, the more unique and intricate it will become. The solo will take on a life of its own. The bottom line is this: put your heart into the solo, add in some
ordinary techniques and cool effects and you have yourself a world class solo.

The key ingredient here is practice. Regardless of what techniques you use, you have to know how to apply them in such a way as to move your audience.

I know exactly what I want to achieve with my guitar playing. I would love to combine the blues rock of players like Slash, Gary Moore, Joe Bonamassa, shred like Zakk Wylde, and have the quirks of
Jack White.

So, what about you?

Why do you play guitar? What makes you tick? What drives you to become a better player? What can help you get there? You need to know what you want before you can get it.

Think about that for a second...

YOU NEED TO KNOW WHAT YOU WANT BEFORE YOU CAN GET IT.

Sure, you want to get better at playing guitar. But what about your playing do you want to improve? You picking hand technique? Your fretting hand? What about a particular style - blues, rock, metal?
You need to sit down and think about that before you start to practice.

When you do know, then you need to find something that can get you there. There are plenty of resources out there that can help you. But don't bother looking till you know exactly what you need.

So before you do anything else. Sit down, relax and really evaluate where you are with your playing, where you want to be, and how you are going to get there. It's a long road, so you may as well start now.

RIP Bo Diddley

RIP Bo Diddley

I'm not going to do the whole biography thing about this passing. In fact, I'm not overly familiar with his music, although I am with his influence. I suggest we all go out and find some music of Bo Diddley's and enjoy it and let his legacy become apart of our personal musical collectives.

Gibson Longhorn Double Cut BV

Gibson have done it to me again. I hate them, but I love their guitars. This is a beauty. The latest GOTM release, the Longhorn Double Cut DV is a thing of beauty.

Gibson GOTM Longhorn Double Cut

Besides being a stunner to look at, technically it is very well optioned. Dual EMG humbuckers, piezo under the tune-o-matic bridge for acoustic tones, and seperate outputs for each, this is an all in one solution for live performance.

If you don't like the colour (shame on you) then the guitar is also available and the Gibson Longhorn Doube Cut HS which features a classic cherry sunburst.

Gibson Les Paul Faded Double Cut Electric Demo Custom Gibson Les Paul Faded Double Cut Electric Demo Custom Paypal US $839.00 5d 15h 38m
Gibson Les Paul Standard Double Cut DC 2007 W Case Mint Gibson Les Paul Standard Double Cut DC 2007 W Case Mint Paypal US $1,395.00 15h 32m
SWEET 97 Gibson Double Cut Les Paul Studio DC SWEET 97 Gibson Double Cut Les Paul Studio DC Paypal US $675.00 5d 12h 53m
2007 Gibson Les Paul Special Faded Double Cut TV Yellow 2007 Gibson Les Paul Special Faded Double Cut TV Yellow Paypal US $699.99 6d 15h 4m
1998 Gibson Les Paul Standard DC Double Cut AAAAA flame 1998 Gibson Les Paul Standard DC Double Cut AAAAA flame Paypal US $1,599.99 10d 8h 37m
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